It’s been quite a while since I’ve updated this blog. There weren’t any notable concerts for the past two weeks since there was this Holy Week/Easter weekend which meant that people were on a break. And I am glad that there was this break since I need to recharge from all the concerts that I’ve seen the previous month. And there were also a handful of student recitals that I’ve watched last month but I purposely didn’t write about them.
But this entry is about a student recital and yet I made an exception with the PREDIS Young Artists Recital Series. I wouldn’t normally write about student recitals whether they are junior or graduation recitals but this recital series staged at St. Cecilia’s Hall at Scholastica’s College had quite an impressive promotion for just a student recital. And this recital is a PREDIS 25th Anniversary Presentation so it’s a milestone to be celebrated. By the way, PREDIS actually stands for Philippine Research for Developing Instrumental Soloists.
So the first recitalist in this series was violist, Rey Casey Concepcion. He is currently the principal violist of the Manila Symphony Orchestra. I’ve seen this orchestra perform before but I haven’t seen him play before as a soloist. But he’s the 2008 First Prize Winner of the National Music Competitions for Young Artists (NAMCYA) for Viola and aside from that; he was also a delegate of the Asian Youth Orchestra back in 2009.
Yet despite these achievements, I was still at a loss when I watched this recital because I am totally ignorant of the usual viola repertoire. The programme consisted of Suite No. 2 in C Major, BWV 1009 by Johann Sebastian Bach, Märchenbilder, Op. 113 by Robert Schumman, Romanze in F Major, Op. 85 by Max Bruch and Der Schwanendreher by Paul Hindemith. I recognize all these composers but the pieces were unknown to me. And I’m still quite mystified with the viola and its appeal. But as I’ve said before when I started this blog, I’ll be open to new things and I should just be grateful that I’ve had this opportunity to see a viola recital.
Concepcion started the recital by playing the Bach piece unaccompanied and then he was joined by Greg Zuniega at the piano for the Schumann and Bruch pieces. And right from the start, I noticed that he had a presence on stage. He may have displayed a few signs of nervousness as he entered the stage but when he started playing, he seemed like he was in a world of his own and went into a performance mode. It didn’t feel like a junior recital at all since he performed like someone who has done this for years. I can’t say much about the pieces played since it’s no secret that I’m not the biggest fan of Bach’s music and it was my first time to ever listen to the other two pieces.
For the last piece which was played after the intermission, Concepcion was now accompanied by members of the Manila Symphony Orchestra conducted by Arturo Molina. I know Hindemith but his pieces aren’t the most accessible for me. And Der Schwanendreher was no exception. It was quite interesting though to have neither violins nor violas in the orchestra for this piece but it did make the viola stand out. But one instrument also did stand out for me although for the wrong reasons. It felt odd hearing an electronic keyboard play the part of the harp. I know that it’s not that easy to procure a harp in here and having the keyboard play its part was quite distracting and I never got used to it throughout the performance.
Despite the pieces being strange to me coupled with my lack of knowledge with the viola itself, I enjoyed watching this recital. Concepcion performed with heart and he never made me feel anxious and nervous like some of the student recitals that I’ve seen recently. And if this recital sets the tone for the entire series, then it’s extremely unfortunate that I have to miss the next two recitals due to conflict of schedule.
Violist Rey Casey Concepcion
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